1 00:00:00,780 --> 00:00:01,140 Unknown: Boosting 2 00:00:08,580 --> 00:00:12,300 Adam Curry: is love everybody. Welcome to boosting. Graham 3 00:00:12,300 --> 00:00:16,080 ball, episode number 24 we are back. It's been a hot minute, 4 00:00:16,080 --> 00:00:19,380 but I've got a producer. So what could possibly go wrong? We are 5 00:00:19,380 --> 00:00:24,680 broadcasting live from the Texas low country. We kick it off with 6 00:00:24,680 --> 00:00:26,840 retrograde. I need a little 7 00:00:38,720 --> 00:00:53,920 Unknown: bit the things we used to do, I Guess that's 8 00:01:02,680 --> 00:01:11,640 over. Little side 9 00:01:46,000 --> 00:01:52,960 The things we used to do. 10 00:02:00,000 --> 00:02:02,340 Know the things we used 11 00:02:09,120 --> 00:02:09,960 to do by your side? 12 00:02:21,300 --> 00:02:21,740 I by your side. 13 00:02:40,000 --> 00:02:40,540 Take it out now 14 00:02:47,860 --> 00:02:49,300 I will take 15 00:03:00,520 --> 00:03:13,140 All the way. So much 16 00:03:22,680 --> 00:03:22,980 You get 17 00:04:05,280 --> 00:04:07,380 Adam Curry: Oh, man. I'm not sure if they're from Nashville. 18 00:04:07,380 --> 00:04:10,560 I'm pretty sure they recorded this there. Retrograde. I need a 19 00:04:10,560 --> 00:04:14,040 little kicking off. Boosted ramball, episode number 24 if 20 00:04:14,040 --> 00:04:17,040 you're not listening to this on a modern podcast app, stop what 21 00:04:17,040 --> 00:04:20,240 you're doing right now. Go to podcast apps.com because that's 22 00:04:20,240 --> 00:04:23,000 where all the fun begins. Thank you very much. Randy black for 23 00:04:23,060 --> 00:04:27,440 boosting in your sad scat. F an anonymous podcast guru booster. 24 00:04:27,620 --> 00:04:30,560 Here's the trusted burning the knight on the boosted Grand 25 00:04:30,560 --> 00:04:31,100 Ball. 24 26 00:04:48,460 --> 00:04:52,180 Unknown: but innocent. I can't seek this reckless feeling list 27 00:04:52,720 --> 00:04:53,740 on my car. 28 00:05:22,020 --> 00:05:28,340 Smell of my stone. I want to sleep. I 29 00:05:40,000 --> 00:06:02,980 In sweet babies, I think 30 00:06:21,300 --> 00:06:38,720 our country's Fighting with feeling one 31 00:06:40,060 --> 00:06:41,440 saw the scene 32 00:06:42,940 --> 00:06:44,320 when To sleep in 33 00:06:46,240 --> 00:06:47,080 my thunder To close. I 34 00:07:08,460 --> 00:07:09,240 Early life control. 35 00:07:58,000 --> 00:08:00,660 Adam Curry: God, the trusted, ah, yes, every boost the grand 36 00:08:00,660 --> 00:08:03,420 ball is complete when you play a track by these guys burning the 37 00:08:03,420 --> 00:08:05,940 night. And, you know, we need to do a little catch up. Because I 38 00:08:05,940 --> 00:08:10,740 do apologize for being in absentia for I'm almost ashamed 39 00:08:10,740 --> 00:08:13,860 to say is, it been three months pretty much. That is pretty bad. 40 00:08:14,160 --> 00:08:18,780 What happened was I have so many podcasts in my life, which, you 41 00:08:18,780 --> 00:08:21,200 know, I have a golden rule, always do it on the same day, 42 00:08:21,200 --> 00:08:24,200 around the same time, I broke that one with booster, booster 43 00:08:24,200 --> 00:08:28,100 grand ball, and subsequently it completely failed. I fell down 44 00:08:28,100 --> 00:08:32,360 last time we did a show was live at the bands at Bitcoin, and 45 00:08:32,360 --> 00:08:35,000 that should have been the reboot right there. But I realize the 46 00:08:35,000 --> 00:08:37,820 biggest problem I have is not doing an hour or an hour and a 47 00:08:37,820 --> 00:08:41,260 half of music. The problem is getting through all the tracks 48 00:08:41,260 --> 00:08:43,960 listening to the other music shows. I just couldn't fit it 49 00:08:43,960 --> 00:08:48,580 into my schedule anymore, so I did a call out for a producer 50 00:08:48,580 --> 00:08:51,940 who could help me out. And lo and behold, Jim Costello of 51 00:08:51,940 --> 00:08:55,480 phantom power music jumped right in and said, No problem. I've 52 00:08:55,480 --> 00:08:59,440 got a day job. I've got my own podcast. But okay, I'll help you 53 00:08:59,440 --> 00:09:02,880 out. So he has done a fantastic job getting everything started 54 00:09:02,880 --> 00:09:06,000 for today, and we're going to be doing this every 14 days to 55 00:09:06,000 --> 00:09:09,120 start off, kind of get back into the groove, see if we can ramp 56 00:09:09,120 --> 00:09:12,240 that up to once every week and make it a regular thing. We do 57 00:09:12,240 --> 00:09:15,000 seem to have more than enough songs in the value verse, which 58 00:09:15,000 --> 00:09:19,320 is just so phenomenal. And when you hear these songs three 59 00:09:19,320 --> 00:09:23,780 times, that's how hits are born. It doesn't and, you know, I just 60 00:09:23,780 --> 00:09:27,560 realized that the old radio system was complete capture. 61 00:09:27,680 --> 00:09:31,160 That's why those things turned into hits. We can do that easily 62 00:09:31,160 --> 00:09:35,720 in the value verse. And just to give you an example, here are my 63 00:09:35,720 --> 00:09:39,860 friends. The door fulls was just on the dorfle verse live. We 64 00:09:39,860 --> 00:09:43,840 want to check that out. Episode number 33 they made me choose 65 00:09:43,840 --> 00:09:46,360 the version I like the most of this song, and this is the one I 66 00:09:46,360 --> 00:09:49,300 like. It's disco swag, the Dorff on the ball, Tacoma. 67 00:10:00,000 --> 00:10:01,200 Unknown: Wannabe the 68 00:10:08,460 --> 00:10:13,320 first move, but it's different with you. 69 00:10:20,700 --> 00:10:25,700 Come around your 70 00:10:33,380 --> 00:10:36,620 waist so close it like it takes. Show me what I need to do. Feel 71 00:10:36,620 --> 00:10:48,580 me inside. Take the fuck all right, show me me what I missed 72 00:10:48,580 --> 00:10:51,940 before I mess with you. With me slow and I'll take you where You 73 00:10:51,940 --> 00:10:52,660 want to go. 74 00:11:14,100 --> 00:11:14,700 Move What you 75 00:11:22,680 --> 00:12:16,560 Adam Curry: Got up I if you're brand new to the value verse 76 00:12:16,560 --> 00:12:19,020 you've never heard of boosted Graham ball and you want to play 77 00:12:19,020 --> 00:12:21,620 along and you don't have A podcast app with a wallet. Go to 78 00:12:21,620 --> 00:12:25,040 fountain.fm. Grab yourself a fountain. The Fountain app, 79 00:12:25,040 --> 00:12:27,380 they'll give you a wallet. You can get started right away. You 80 00:12:27,380 --> 00:12:30,140 can boost we play the tracks. It's the artists who get the 81 00:12:30,140 --> 00:12:31,520 sassy with Joe Martin. You 82 00:12:44,020 --> 00:12:46,240 Unknown: I don't know who the number's for the 83 00:13:07,440 --> 00:13:14,520 I don't know it's always 84 00:13:24,920 --> 00:13:26,600 all that high keeps holding me down, Broken 85 00:13:35,840 --> 00:13:36,800 sunlight through the blind. 86 00:13:39,920 --> 00:13:46,360 When did my turning memories like shattered pieces in my 87 00:13:46,540 --> 00:13:48,700 mind, I could put that back together, but it won't matter 88 00:13:48,760 --> 00:13:49,060 anyway. 89 00:13:51,160 --> 00:13:55,120 I'm so heavy love that high gravity. 90 00:14:00,960 --> 00:14:17,520 High gravity now that 91 00:14:22,920 --> 00:14:34,400 I down. Gravity keeps holding 92 00:14:42,500 --> 00:14:49,000 me down to I need to get back on my feet. No, 93 00:14:49,120 --> 00:14:50,260 I will, but I don't 94 00:14:54,760 --> 00:14:56,320 know feels like every other week I. 95 00:15:00,840 --> 00:15:01,620 I need to 96 00:15:02,460 --> 00:15:03,540 learn and walk again. Voices. 97 00:15:22,800 --> 00:15:28,040 In keeps holding 98 00:15:40,000 --> 00:15:51,700 Adam Curry: Yeah, do not be confused by the accent from up 99 00:15:51,700 --> 00:15:56,620 north in the UK, our Joe Martinez. It's always so weird 100 00:15:56,620 --> 00:15:59,560 to hear him talking versus singing, like, what? What the 101 00:15:59,620 --> 00:16:03,360 You're British. High gravity. Now that was the first song that 102 00:16:03,360 --> 00:16:06,960 we played on podcasting 2.0 we got the all the remote item 103 00:16:06,960 --> 00:16:09,300 stuff set up. You don't have to know what that means, but 104 00:16:09,540 --> 00:16:14,220 basically, when we play a song in a podcast these days, the 105 00:16:14,220 --> 00:16:17,520 streaming SATs you're sending to us and all booster grams, the 106 00:16:17,520 --> 00:16:20,960 wallet switches go straight towards the artist, which is how 107 00:16:20,960 --> 00:16:23,660 radio should have worked 100 years ago. But of course, 108 00:16:23,660 --> 00:16:26,300 there's no way that could ever happen. A couple of boostagrams, 109 00:16:26,300 --> 00:16:30,560 I want to thank people for Chad f3 33 Remember, it's always fun 110 00:16:30,560 --> 00:16:32,780 to put in the message that you heard it on the booster Graham 111 00:16:32,780 --> 00:16:36,200 ball, 1234, from salty crayon says, Love the doors. Heard 112 00:16:36,200 --> 00:16:39,080 disco swag on boosted Graham ball. Go podcasting. Chad F 113 00:16:39,080 --> 00:16:42,160 again, saying that the disco swag was an instant classic. 114 00:16:42,160 --> 00:16:45,580 Saints and SATs, woohoo. We love the boosted Grand Ball. Thank 115 00:16:45,580 --> 00:16:48,280 you. Adam and Jim. With 1000 SATs, we appreciate it. Thank 116 00:16:48,280 --> 00:16:51,580 you all continue to boost in and remind the artists that it all 117 00:16:51,580 --> 00:16:54,700 came from the boosted grand ball. Now there's some big news 118 00:16:54,700 --> 00:16:57,760 going on with this show, because we're not just resurrecting it 119 00:16:57,760 --> 00:17:01,920 to get the podcast going again. We're also resurrecting it, 120 00:17:01,920 --> 00:17:06,180 because on December 16, at the famous antones in Austin, Texas, 121 00:17:07,140 --> 00:17:10,680 I will be presenting Adam Curry's booster gram ball live 122 00:17:10,680 --> 00:17:14,760 with four, even possibly five bands live on stage, all value 123 00:17:14,760 --> 00:17:18,600 for value. We'll be streaming it live in audio and in video. It's 124 00:17:18,600 --> 00:17:22,520 going to be a Hootenanny, as we say around these parts, very 125 00:17:22,520 --> 00:17:26,480 excited by that lot of good stuff to come as we crank up the 126 00:17:26,480 --> 00:17:30,140 value. Verse, This, by the way, is another guy from London, 127 00:17:30,560 --> 00:17:32,420 Chris Nichols. This is sweat, 128 00:17:33,320 --> 00:17:33,980 Unknown: hey, Mama, 129 00:17:34,640 --> 00:17:35,780 I'm going to the bar. 130 00:17:36,920 --> 00:17:38,600 What you're going to the bar for? Boys, I 131 00:17:38,600 --> 00:17:40,840 want to dance. Mama, you can dance mom when 132 00:18:00,000 --> 00:18:10,140 when you wanna see the media dance? I met a lady down New 133 00:18:10,380 --> 00:18:13,200 Orleans. She got a poker dog dressing. I met her sweetie and 134 00:18:13,680 --> 00:18:15,840 mom some more. She gonna drop the night so she ain't no more. 135 00:18:15,900 --> 00:18:21,720 I saw you didn't know my home. Pretend girl wasn't dancing. I 136 00:18:21,720 --> 00:18:28,280 thought I told you I saw my name. She got me. I found a pity 137 00:18:28,280 --> 00:18:30,920 in Boston. She loves some jazz, black shoes. I'm all tight 138 00:18:31,040 --> 00:18:42,880 dancer and dance. Maybe I'm a loser. He's a ah, y'all swear 139 00:18:42,880 --> 00:18:45,820 for me. Swear for me. You can dance when you wanna tell the 140 00:18:45,820 --> 00:18:53,560 media heart man, dance when you wanna tell me your heart man, 141 00:18:55,360 --> 00:18:58,900 let me tell you all something I love all these women. There was 142 00:18:58,900 --> 00:19:02,640 only one girl I was gonna dance with. Let me tell you something. 143 00:19:02,820 --> 00:19:06,840 Hey, there's a gypsy girl down in Texas. Hell. She could dance. 144 00:19:06,840 --> 00:19:10,200 She could shake their ears. She could diaries dance. Only took 145 00:19:10,380 --> 00:19:12,060 one glance, and I'm starting to 146 00:19:19,620 --> 00:19:20,420 swear for me. 147 00:19:37,940 --> 00:19:40,420 Sweet gypsy girl got me wanting some more. No sweat. 148 00:19:49,660 --> 00:19:53,380 Mama told me use the beat of my heart for follow me to Texas. 149 00:19:54,760 --> 00:19:57,580 Hit the beat of my heart. See, Mama wasn't wrong, cause I found 150 00:19:57,580 --> 00:20:06,120 me the stars. She sweats for me. I. Ah, she switched on me, she 151 00:20:07,500 --> 00:20:09,780 switched on me. She switched for me. Booster, booster. Grand 152 00:20:09,780 --> 00:20:10,380 Ball. You? 153 00:21:01,780 --> 00:21:03,780 You hadn't worn little knife doesn't hurt 154 00:21:03,780 --> 00:21:04,620 my back like you thought 155 00:21:08,520 --> 00:21:09,960 it would. Well, thankfully, it 156 00:21:12,960 --> 00:21:14,400 is a hard fight for me, but I'll leave it 157 00:21:20,000 --> 00:21:20,780 On the left you made, 158 00:21:31,160 --> 00:21:32,720 But I'll leave 159 00:21:38,300 --> 00:21:42,980 it out. 160 00:22:00,000 --> 00:22:05,580 If I did, your eyes 161 00:22:05,580 --> 00:22:08,220 would sneak away to the corner of the room, because I know that 162 00:22:08,220 --> 00:22:12,840 you weren't used to having it all given back to you, and 163 00:22:12,840 --> 00:22:14,820 though it might be filled in the sea of bees rattling and 164 00:22:14,820 --> 00:22:15,840 crying like a little boy. 165 00:22:20,000 --> 00:22:24,140 Gonna cry like a little boy. You might deserve a 166 00:22:30,500 --> 00:22:31,160 body don't serve a 167 00:22:42,620 --> 00:22:43,360 perfect want 168 00:23:02,740 --> 00:23:07,860 to see. Honey, I hope, 169 00:23:15,000 --> 00:23:20,180 or maybe with grace, because at the end of Excel, I'd 170 00:23:27,740 --> 00:23:29,360 say I'm not the one who put the 171 00:23:31,520 --> 00:23:32,660 mess You made, but I'll leave 172 00:23:34,040 --> 00:23:36,620 it out. We'll say, 173 00:23:40,520 --> 00:23:43,960 Hello. Want you Put material song for 174 00:23:49,540 --> 00:24:30,200 Adam Curry: the left. That's right. Randy black. You heard it 175 00:24:30,200 --> 00:24:33,380 on the bustagram ball, the queen of the V for V music scene. 176 00:24:33,440 --> 00:24:37,280 Ainsley Costello always brings it. He says, absolutely correct, 177 00:24:37,460 --> 00:24:41,080 by the way. If you hear some sounds during the duration of 178 00:24:41,080 --> 00:24:44,500 the program. That's because you can trigger some sounds. We've 179 00:24:44,500 --> 00:24:48,280 made this interactive these days by knowing what to boost in 180 00:24:48,340 --> 00:24:52,420 Chris. Chris, with Jupiter broadcasting, sent a row of 181 00:24:52,420 --> 00:24:56,200 ducks, 2222 listening while I prep this week in Bitcoin. 182 00:24:56,200 --> 00:24:58,600 Thanks for the excellent work and music. Well, you've got to 183 00:24:58,600 --> 00:25:01,920 also thank Jim pacello for. Uh, helping out with that. And thank 184 00:25:01,920 --> 00:25:06,120 you, dude with your 333 Satoshis boosting into the ball. It is a 185 00:25:06,120 --> 00:25:11,220 lot of fun. For those of you who are thinking, Wait a minute, 186 00:25:11,700 --> 00:25:15,720 wait a minute, this is like radio on demand, where I can get 187 00:25:16,020 --> 00:25:20,040 value for the songs that I created, for the value I 188 00:25:20,040 --> 00:25:23,960 created. How do I get on board with that? Well, there's a 189 00:25:23,960 --> 00:25:26,900 couple of places you can do that. In fact, if you go to 190 00:25:26,900 --> 00:25:30,080 podcast apps.com, you'll see all of the capabilities of all of 191 00:25:30,080 --> 00:25:34,580 the hosting companies. I will say, wavelength.com. W, W, W, A 192 00:25:34,580 --> 00:25:40,720 v l, a key, K, E, K U, spell curry, W, A v l, a, k, e, that's 193 00:25:40,720 --> 00:25:43,960 a very simple place to start. If you want to get a little more 194 00:25:43,960 --> 00:25:50,260 funky, little more into all the extras and do some self hosting, 195 00:25:50,680 --> 00:25:53,560 that's always a possibility. There's quite a thriving 196 00:25:53,560 --> 00:25:56,860 community in one of the telegram groups. You can also go to 197 00:25:56,860 --> 00:26:00,900 podhome.fm, or rssblue.com they will walk you through it as 198 00:26:00,900 --> 00:26:05,520 well. It is a great community. No one owns it, no one controls 199 00:26:05,520 --> 00:26:09,900 it. Everybody can go their own way as God intended. It is the 200 00:26:09,900 --> 00:26:13,620 value verse, as we call it, where we play the tracks and the 201 00:26:13,620 --> 00:26:18,600 artists get the SATs. And man, there are so many good songs 202 00:26:18,600 --> 00:26:21,500 that that you know, that have been out for the past. I think 203 00:26:21,500 --> 00:26:23,480 we've been doing this for two years. Actually have to give 204 00:26:23,480 --> 00:26:26,420 some props to Abel and the wolf. They were the first ones to put 205 00:26:26,420 --> 00:26:30,920 their entire album up with with what we call the value block and 206 00:26:30,920 --> 00:26:35,660 the opportunity to boost them. So when I was talking to 207 00:26:35,660 --> 00:26:38,960 producer Jim about all this stuff, I said, Hey, man, we got 208 00:26:38,960 --> 00:26:41,320 to make sure we play some of the stuff that's been out there. We 209 00:26:41,320 --> 00:26:43,840 can't just be playing the new stuff. We got to get it all in 210 00:26:43,840 --> 00:26:48,340 there. Oh, he got the message. He really did. He understood. He 211 00:26:48,340 --> 00:26:50,980 said, Oh, yeah, I know what you need. How about this one? FM 212 00:26:51,340 --> 00:26:51,940 rodeo said, 213 00:27:02,580 --> 00:27:06,240 Unknown: door said, I'm not quite like you, even twisted. 214 00:27:07,080 --> 00:27:13,140 And the one thing that you always love the most, I said, 215 00:27:13,140 --> 00:27:16,920 yeah, yeah, that's true, that we know vertigo, but I'm not quite 216 00:27:16,920 --> 00:27:20,780 like you reach straight through between the lines. You wonder 217 00:27:20,960 --> 00:27:22,340 now, when we get out her 218 00:27:31,100 --> 00:27:34,400 life, what's up? Two, step three, step four, she's got 16 219 00:27:34,400 --> 00:27:39,680 ways and I know where to go. She's got 16 ways this time, and 220 00:27:39,980 --> 00:27:47,140 I know where to go. I can't believe you when you look at me, 221 00:27:47,140 --> 00:27:48,640 she's got 16 ways and last night. 222 00:28:02,860 --> 00:28:06,900 You and on that date I called it, I said, I'm not quite like 223 00:28:06,900 --> 00:28:11,040 you. The worst part of your wasted life is wasting things 224 00:28:11,040 --> 00:28:12,480 and asking. Why ask? Why? 225 00:28:15,420 --> 00:28:17,640 I say, yeah, yeah, that's true that we know 226 00:28:17,640 --> 00:28:21,680 her to go, but I'm not quite like you, breaking sounds. No 227 00:28:21,680 --> 00:28:22,640 way to go the head through all 228 00:28:24,320 --> 00:28:29,360 of this is not quite right. And there's right and there's right 229 00:28:29,420 --> 00:28:36,620 out. Right? What? Step two? Step three, step four. She's got 16 230 00:28:36,620 --> 00:28:42,700 ways, and I know where to go. She's got 16 ways inside, and I 231 00:28:42,880 --> 00:28:50,440 know where to go. I can't believe she's got 16 ways in 232 00:28:50,740 --> 00:28:51,280 this Life. You 233 00:29:20,220 --> 00:29:23,120 I call it. I said, I'm not quite like you know one thing 234 00:29:25,640 --> 00:29:27,440 that you always love the 235 00:29:31,100 --> 00:29:33,500 most. I said, yeah, yeah, that's true, that we know where she 236 00:29:33,500 --> 00:29:35,840 come, but I'm not quite like you straight through between the 237 00:29:35,840 --> 00:29:40,660 lines you wanted. Now we'll we get out. 238 00:29:49,540 --> 00:29:54,100 What? Step two, step three, step four, she's got 16 ways and I 239 00:29:54,220 --> 00:29:59,320 know where to go. She's got 16 ways inside, and I know where to 240 00:29:59,320 --> 00:30:00,420 go. I can. Happen? You? 241 00:30:53,860 --> 00:30:57,340 Adam Curry: Wait a minute, is that? Is that a mosh pit? I see 242 00:30:58,120 --> 00:31:02,460 Chad acid. You start the mosh pit again? Oh, man, always the 243 00:31:02,460 --> 00:31:06,060 same people who do it, FM rodeo here on the ball, the self 244 00:31:06,060 --> 00:31:09,360 titled national anthem. And yes, you can stay on the ballroom 245 00:31:09,360 --> 00:31:13,320 dance floor, because we've got this guy who was at the very 246 00:31:13,320 --> 00:31:15,420 first value for value concert, Leighton, 247 00:31:20,720 --> 00:31:29,060 Unknown: late nights, that behavior, light the dusty moon, 248 00:31:31,100 --> 00:31:39,080 just sweet, like honey. I was born to be wild, turned you into 249 00:31:39,080 --> 00:31:42,980 a believer. Tonight, I feel it going down. 250 00:32:00,000 --> 00:32:22,380 When the world shut us down home time, don't you tap out baby? 251 00:32:22,440 --> 00:32:28,160 It's a knockout. Wrote the dice and thank me later, Jamaica, 252 00:32:29,120 --> 00:32:34,520 this guy, we are the plane. Say, sweet black, honey. I was born 253 00:32:38,240 --> 00:32:42,880 to be wild. Turn you into a believer. Mary, let 254 00:32:43,720 --> 00:32:44,800 it out when the World 255 00:33:01,080 --> 00:33:01,440 when the 256 00:33:02,640 --> 00:33:03,360 world shut us down. 257 00:33:50,860 --> 00:34:28,100 I do shut us down. Take 258 00:34:36,979 --> 00:34:37,879 me to higher ground when 259 00:34:38,600 --> 00:34:39,440 the world shut us down, 260 00:34:41,419 --> 00:34:45,279 take me to higher ground, higher ground, higher ground. 261 00:35:20,000 --> 00:35:26,060 Adam Curry: Oh. Now, if you took a little bit of Prince had a 262 00:35:26,060 --> 00:35:29,420 love child with Lenny Kravitz, and threw in just a sprinkle of 263 00:35:29,420 --> 00:35:33,920 James Brown, you'd have just loud shrooms, which is just so 264 00:35:33,920 --> 00:35:36,740 incredibly good. He was fantastic in Minneapolis at the 265 00:35:36,740 --> 00:35:40,360 Seventh Street. Is that? What a Seventh Street? Second Seventh 266 00:35:40,360 --> 00:35:43,600 Avenue, Seventh Street entrance, I don't know it was in 267 00:35:43,600 --> 00:35:47,860 Minneapolis. Okay? And check these guys out. They're from 268 00:35:47,860 --> 00:35:51,940 Toronto. They met in college, or, as they say, uni University. 269 00:35:52,660 --> 00:35:54,400 This is a shy kids on the ball. It's 270 00:36:00,000 --> 00:36:00,780 Unknown: keep my head, waiting 271 00:36:02,639 --> 00:36:03,359 for the ground 272 00:36:04,559 --> 00:36:07,199 to steady, pick up my phone. 273 00:36:28,280 --> 00:36:28,700 Until the 274 00:36:37,940 --> 00:36:49,660 evening. Let's need 275 00:36:57,639 --> 00:37:01,599 it if I can see where I win Good. 276 00:37:20,000 --> 00:37:31,880 I show For fear. 277 00:37:40,000 --> 00:38:39,380 Oh, The sky is new. Worry if I can conceive it I fumble 278 00:38:42,380 --> 00:38:45,760 Adam Curry: aim for love those guys, shy kids, fresh off a 279 00:38:45,760 --> 00:38:48,880 feeling on your bustagram ball. And this is actually the song 280 00:38:48,880 --> 00:38:51,880 that producer Jim sent to me before we even started talking 281 00:38:51,880 --> 00:38:54,940 about producing the ball. This is Embleton. Sunrise 282 00:38:55,480 --> 00:38:55,840 Unknown: coming. 283 00:38:58,059 --> 00:38:59,379 I'm guilty again. 284 00:39:02,079 --> 00:39:06,659 Rooster crowing. It's not the first time I see you running you 285 00:39:06,659 --> 00:39:06,839 kiss 286 00:39:09,179 --> 00:39:10,139 my neck. Pick me 287 00:39:12,900 --> 00:39:14,220 up again. It won't be the last time. 288 00:39:20,000 --> 00:39:24,260 Will Be and 289 00:39:32,420 --> 00:39:33,140 it feels like 290 00:39:40,000 --> 00:39:52,660 with kindness all. 291 00:40:04,260 --> 00:40:05,460 Father, Jesus, your King, oh. 292 00:40:20,000 --> 00:40:30,980 It. I thought you were a ghost, just looking for the bad in me. 293 00:40:30,980 --> 00:40:33,740 I compared you to my dad. To be honest, 294 00:40:33,799 --> 00:40:36,739 I've been wondering if you could really love me. I 295 00:40:38,480 --> 00:40:41,120 thought you were standing there. Didn't care always, 296 00:40:42,800 --> 00:40:52,000 man, we smile, looking for the bed in me. I can imagine 297 00:40:53,320 --> 00:40:57,640 if you could really love me. You said you really love me. It 298 00:40:57,640 --> 00:41:00,720 feels like to 299 00:41:04,500 --> 00:41:08,340 get and It feels like dying with kindness. 300 00:41:22,800 --> 00:42:04,380 You're me. Your spirit. These halls. 301 00:42:10,380 --> 00:42:16,080 Don't you kill me with kindness. You're 302 00:42:22,679 --> 00:42:34,099 living Jesus, you're 303 00:42:42,679 --> 00:42:53,379 the king. Hamilton 304 00:42:53,380 --> 00:42:56,500 Adam Curry: on the ball. You are killing me. Get a little bit of 305 00:42:56,500 --> 00:43:00,780 Jesus on here on the ball. Kevin is the lead singer. He lives in 306 00:43:00,780 --> 00:43:03,780 Nashville, originally from Ohio, and now featured on your 307 00:43:03,780 --> 00:43:06,780 boostagram ball. And thank you very much. Randy black for 308 00:43:06,780 --> 00:43:09,420 boosting in and he says it right there on boosted Graham ball. 309 00:43:09,420 --> 00:43:12,420 Embleton is quickly jumping up my list of favorite V for V 310 00:43:12,420 --> 00:43:15,420 artists. Great track on this one with a great meaning, by the 311 00:43:15,420 --> 00:43:18,540 way, if you're wondering what all this V for V stuff is, value 312 00:43:18,540 --> 00:43:22,400 for value, check out the website, value for value, dot 313 00:43:22,400 --> 00:43:26,120 info. That's value number four, value dot info. It explains kind 314 00:43:26,120 --> 00:43:30,140 of the whole concept behind it. This is not tipping. This is not 315 00:43:30,320 --> 00:43:34,280 just throwing a couple of couple of nickels at somebody. It's 316 00:43:34,280 --> 00:43:38,000 value for value. The whole idea is, whatever value you get from 317 00:43:38,000 --> 00:43:40,960 the show, whatever value you get from the song, you send that 318 00:43:40,960 --> 00:43:43,300 value back, that's going to be different for everybody. For 319 00:43:43,300 --> 00:43:47,680 instance, salty crayon send 1234, shy kids, he says, always 320 00:43:47,680 --> 00:43:50,440 have been playable tracks in V for V heard fresh off a feeling 321 00:43:50,440 --> 00:43:53,200 on the boosted ground ball. Thank you And dude, thank you 322 00:43:53,200 --> 00:43:58,000 for boosting this room is with your 333, sets. The system 323 00:43:58,000 --> 00:44:01,080 works. It's completely interactive. Oh yes. And thank 324 00:44:01,080 --> 00:44:04,740 you Burberry for reminding me it's Seventh Street entry, First 325 00:44:04,740 --> 00:44:07,860 Avenue. That's where that very first value for value music 326 00:44:07,860 --> 00:44:11,940 concert was. Mark it down in your calendar for December 16 at 327 00:44:11,940 --> 00:44:16,560 antones, right in Austin, Texas. We will have Adam Curry's 328 00:44:16,560 --> 00:44:20,780 booster. Graham ball presents live with a fantastic lineup of 329 00:44:20,780 --> 00:44:23,720 artists. I'm very excited about that. I'm I'm even gonna get a 330 00:44:23,720 --> 00:44:26,780 hotel room and stay overnight. You won't even drive home. So we 331 00:44:26,780 --> 00:44:27,980 plan on getting wild. 332 00:44:33,320 --> 00:44:33,980 Unknown: She says, 333 00:44:35,059 --> 00:44:46,779 don't wanna give up so easily. If this is wrong, tell me. Are 334 00:44:47,019 --> 00:44:51,999 waiting on the next thing, but now my head's in the sand, not 335 00:44:52,599 --> 00:44:56,679 on the sky. I tried to go through this on my own. I don't 336 00:44:56,979 --> 00:45:00,299 know why, but I do it every. In time, 337 00:45:02,400 --> 00:45:04,500 one day, I wake up and realize 338 00:45:05,760 --> 00:45:11,640 it's all about the journey and the ride and it almost passed me 339 00:45:11,700 --> 00:45:18,420 by, just remember to stop breathe and just let go. You've 340 00:45:19,440 --> 00:45:22,760 never been all alone, and you're stronger than 341 00:45:25,699 --> 00:45:29,659 you know through all the highs and lows yes and no was long and 342 00:45:29,659 --> 00:45:34,639 winding roads, just remember to stop, stop breathe and just let 343 00:45:34,639 --> 00:45:44,439 go. Yeah, just let go. I've been looking in the mirror. Starting 344 00:45:44,559 --> 00:45:52,419 to see myself clearer, and it gets hard sometimes, trying to 345 00:45:52,419 --> 00:45:57,279 see the world in a different light. I'm suddenly feeling 346 00:45:57,339 --> 00:46:03,239 free, but now my head's out the sand, eyes on the price. I tried 347 00:46:03,239 --> 00:46:08,459 to go through this on my own. I don't know why, but I do it 348 00:46:08,519 --> 00:46:16,679 every time. One day I wake up every life, things aren't always 349 00:46:16,679 --> 00:46:22,939 perfect, but that's life, and it almost passed me by to just 350 00:46:22,939 --> 00:46:29,239 remember to stop breathe and just let go. You've never been 351 00:46:29,239 --> 00:46:35,479 alone, and you're stronger than you know, through all the highs 352 00:46:35,479 --> 00:46:39,919 and lows, yes and nos, long and wildlife roads, 353 00:46:39,920 --> 00:46:41,320 just remember to stop 354 00:46:42,579 --> 00:46:44,619 breathe and just let go. Just let go. Just 355 00:46:46,000 --> 00:46:52,000 let go. Let it go. Let it go. You watch it wrong better 356 00:47:02,559 --> 00:47:02,979 than you know. 357 00:47:02,980 --> 00:47:21,060 Watch 358 00:47:21,060 --> 00:47:21,740 your own birthday. Breathe 359 00:47:27,860 --> 00:47:33,740 and just let go. You've never been alone, and you're stronger 360 00:47:33,740 --> 00:47:36,320 than me. Know all the highs and lows, yes and no, long and wide 361 00:47:36,440 --> 00:47:37,460 and Rose, 362 00:47:37,460 --> 00:47:38,720 just never to stop breathe 363 00:47:40,280 --> 00:47:42,460 and just let go. Just let go. You're stronger than you know. 364 00:47:43,240 --> 00:47:44,080 You've never been alone 365 00:47:44,079 --> 00:47:45,039 through all the highs and lows, 366 00:47:53,079 --> 00:47:55,299 yes and no says you're stronger than you know. You've never been 367 00:47:55,299 --> 00:47:55,959 alone through all the 368 00:48:07,440 --> 00:48:10,380 Adam Curry: been Ooh, I like that. Hannah Blanchard and Alex 369 00:48:10,380 --> 00:48:14,640 spanada featured on that track. Stop here on the boostagram 370 00:48:14,640 --> 00:48:15,120 ball, 371 00:48:16,199 --> 00:48:19,439 Unknown: you're listening to boostagram ball with Adam curry, 372 00:48:19,499 --> 00:48:23,299 where we're Changing the music industry once Satoshi at a time. 373 00:48:28,039 --> 00:48:28,219 Right 374 00:48:49,780 --> 00:48:50,260 if we 375 00:49:00,000 --> 00:49:20,240 it will make you talk to me. Baby, 376 00:49:20,539 --> 00:49:21,559 stay with me. 377 00:49:22,039 --> 00:49:22,459 Baby, 378 00:49:28,400 --> 00:49:29,300 Stay with me. 379 00:49:37,219 --> 00:49:37,639 Baby, 380 00:49:39,380 --> 00:49:46,240 it ain't talk to my baby. It ain't too much. 381 00:50:20,000 --> 00:50:21,080 Someone's keepers 382 00:50:28,280 --> 00:50:28,640 together. 383 00:50:45,400 --> 00:50:47,020 Adam Curry: You know, there's one thing I've noticed about 384 00:50:47,020 --> 00:50:51,580 these songs in the value verse, almost none of them have a fade 385 00:50:51,580 --> 00:50:55,300 out at the end. You know, they have distinctive endings. I 386 00:50:55,300 --> 00:50:58,000 never liked that kind of wimpy, like, oh, we'll just fade it out 387 00:50:58,000 --> 00:51:01,020 here, man. We just got to end the song somewhere. First night, 388 00:51:01,020 --> 00:51:02,640 Daddy net, hailing from Austin, 389 00:51:09,719 --> 00:51:10,319 Unknown: chasing I'm 390 00:51:22,220 --> 00:51:35,960 It chasing Stevens 391 00:52:13,559 --> 00:52:14,819 your stay safe, Stay awake. 392 00:52:40,000 --> 00:52:44,560 On reconcile peace on trial and 393 00:52:45,159 --> 00:52:46,059 domination you Want 394 00:52:52,720 --> 00:53:19,380 to stay away? If you Want to stay 395 00:53:24,920 --> 00:53:25,280 the place 396 00:53:42,740 --> 00:53:50,440 I coming coming on 397 00:54:02,800 --> 00:54:21,020 your domination, 398 00:54:22,099 --> 00:54:24,859 Adam Curry: that's what I call top down driving around music 399 00:54:24,859 --> 00:54:28,279 easy doesn't ease off the accelerator. Kiwi bones. That 400 00:54:28,279 --> 00:54:31,939 could be very, very dangerous. I row and the fever. Now, the 401 00:54:32,299 --> 00:54:35,899 singer's name is Brandon Welch, and I'm pretty sure I met him at 402 00:54:35,899 --> 00:54:39,979 a no agenda meetup. He is in North Carolina, and we have not 403 00:54:39,979 --> 00:54:45,099 heard from him since Helene. So we are obviously a little bit 404 00:54:45,099 --> 00:54:48,939 concerned. If anyone knows how he doing, we'd love to know. Of 405 00:54:48,939 --> 00:54:52,239 course, we are also praying for everybody in Florida right now. 406 00:54:52,959 --> 00:54:58,719 Yeah, these storms, friends over from Japan, and they told me 407 00:54:58,719 --> 00:55:01,199 they went to Fukushima and. There's this little mountain up 408 00:55:01,199 --> 00:55:04,979 there, and there were three monuments for different tsunamis 409 00:55:04,979 --> 00:55:07,559 and earthquakes. And they said, Well, what's all this about? Is 410 00:55:07,559 --> 00:55:10,439 this for the for the big one? We had no no this happens every 100 411 00:55:10,739 --> 00:55:14,099 years. And it turns out big ones have hit Florida from the Gulf 412 00:55:14,099 --> 00:55:18,059 Coast in the past as well. I think 1920 1921 was a big one. 413 00:55:18,599 --> 00:55:22,279 Same in 1960 in North Carolina. It is just Mother Nature, my 414 00:55:22,279 --> 00:55:26,899 friends. And she seems to be very strong. Always has that 415 00:55:26,899 --> 00:55:32,419 winning hand, fortunately. Wanted to mention, if you are 416 00:55:32,419 --> 00:55:35,839 listening to this just in a regular old podcast player on 417 00:55:35,839 --> 00:55:40,419 the website boostagramball.com Get yourself a modern app you 418 00:55:40,419 --> 00:55:44,439 can try podcast guru, curio caster. You can try, oh my God, 419 00:55:44,439 --> 00:55:47,859 there's so mad pod verse, fountain. Most of these apps, by 420 00:55:47,859 --> 00:55:51,879 the way, you can favorite or you can find the whole list of the 421 00:55:51,879 --> 00:55:54,279 songs that we played. You can favorite that and then put it 422 00:55:54,279 --> 00:55:57,039 into a separate playlist and play it to your heart's consent 423 00:55:57,039 --> 00:56:00,179 content and boost the artist anytime you feel like it. Or, of 424 00:56:00,179 --> 00:56:03,479 course, you can always just rewind the show, stop it, even 425 00:56:03,479 --> 00:56:06,059 if you have to, if you want to send a boost. It all works. It's 426 00:56:06,059 --> 00:56:10,199 all magic. Wallet switching, technology again, podcast 427 00:56:10,199 --> 00:56:12,959 apps.com, get on the train, everybody. You are helping the 428 00:56:12,959 --> 00:56:15,599 music business out, the new music business where we don't 429 00:56:15,599 --> 00:56:19,859 need any black boxes, where your money is collected by some other 430 00:56:19,919 --> 00:56:23,359 outfit. And then it sits around for 48 months, and then a penny 431 00:56:23,359 --> 00:56:26,959 drops out of it, and Taylor Swift wins in the end. Nope, 432 00:56:27,019 --> 00:56:30,379 none of that. We play the tracks. The SATs go to the 433 00:56:30,379 --> 00:56:33,259 artists. It is your bustagram ball. We're gonna wind it down 434 00:56:33,259 --> 00:56:35,959 with a couple more tracks. We've got some ladies on deck here, 435 00:56:36,139 --> 00:56:39,559 and we're gonna kick it off with blueprint Abby Muir, Right here 436 00:56:39,619 --> 00:56:47,079 on the ball. Floor, dance floor, like you. 437 00:57:00,179 --> 00:57:03,299 Unknown: The options, but then I never feel like You smile every 438 00:57:03,299 --> 00:57:03,719 time stop. 439 00:57:38,780 --> 00:57:39,740 Thank you, 440 00:57:42,440 --> 00:57:43,420 scrap not a girl in 441 00:57:48,460 --> 00:57:54,460 the world could describe it so perfectly done. The details on 442 00:57:55,480 --> 00:58:01,620 your hands you for a second. Who meets you always someone like 443 00:58:13,559 --> 00:58:20,359 you said, Oh, silence. 444 00:58:31,400 --> 00:58:32,180 No competition. 445 00:58:32,179 --> 00:58:33,259 You already won the race. You 446 00:59:00,000 --> 00:59:25,280 Adam Curry: I Abby Muir's blueprint, and I wanted to tell 447 00:59:25,280 --> 00:59:29,060 you that you can also find a great music app at ln beats.com 448 00:59:29,840 --> 00:59:32,660 you can listen to all of the tracks available in the value 449 00:59:32,660 --> 00:59:36,080 verse and also find all of the music shows. Ln beats.com 450 00:59:36,800 --> 00:59:40,180 booster, Graham ball last time. In a 451 00:59:42,460 --> 00:59:45,040 Unknown: while, I know last time I heard from you, I hung up the 452 00:59:45,040 --> 00:59:50,920 phone. It's getting easier to let it go and forget that you 453 00:59:50,920 --> 00:59:58,960 knew me. I put some distance in between so I might stop or hash 454 00:59:58,960 --> 01:00:03,540 in everything. Night you type, we got some trouble. No one 455 01:00:03,540 --> 01:00:09,240 can't deny maybe I should set you free. I'm breaking we 456 01:00:13,619 --> 01:00:14,879 had fun, but honestly, we broke 457 01:00:21,659 --> 01:00:23,059 through the end we were gonna can't bitch 458 01:00:26,360 --> 01:00:32,120 about it if we swore it and be different, and no one made the 459 01:00:32,120 --> 01:00:35,840 difference. What cut off my ties. We can do a signal and 460 01:00:35,840 --> 01:00:36,620 just let's get out 461 01:00:40,039 --> 01:00:46,779 of use. I guess what we didn't do is not me. Happens to 462 01:00:46,779 --> 01:00:50,799 everybody. Some get stuck in other dismantling. I'm breaking 463 01:00:50,799 --> 01:00:52,659 bad with the old me. Later that the rest of 464 01:00:59,800 --> 01:01:05,460 my dreams, we had a fun we had a fun but honestly, we both knew 465 01:01:05,460 --> 01:01:09,180 the end we were gonna be growing up. It is a bitch, and 466 01:01:11,400 --> 01:01:13,620 we can't bitch about it. We swore it'd be different. But 467 01:01:13,620 --> 01:01:15,060 what made the difference? God, 468 01:01:22,139 --> 01:01:22,979 I used to 469 01:02:01,420 --> 01:02:07,260 Oh, my grief. We had a fun but honestly, we were busy and we 470 01:02:07,260 --> 01:02:10,260 were gonna be growing up with this occasion. We can't bitch 471 01:02:10,260 --> 01:02:10,920 about it if 472 01:02:13,139 --> 01:02:16,019 we swore it'd be different. But what made it different? What cut 473 01:02:16,019 --> 01:02:23,479 all my ties with your sick mouth and Justin? Adjustments. God, I 474 01:02:23,479 --> 01:02:24,499 used to need them, but now, 475 01:02:41,780 --> 01:02:44,740 at all booster booster. Gram ball. That's 476 01:02:44,740 --> 01:02:52,840 my ghost. I hadn't seen it so long. That's my ear. Makes my 477 01:02:52,900 --> 01:03:00,660 heart feel so that's my you're wearing firm I had wearing I 478 01:03:03,480 --> 01:03:08,760 hadn't seen for too long. That's why you're wearing firm ear to 479 01:03:08,760 --> 01:03:11,940 ear, makes my heart feel so now and 480 01:03:17,460 --> 01:03:30,140 then we find out what effect moments when we say then I when 481 01:03:30,140 --> 01:03:34,040 we say that it was too late for us, but now and then, we find 482 01:03:34,040 --> 01:03:37,760 our way back to this. That's what you're wearing. I hadn't 483 01:03:37,760 --> 01:03:44,020 seen it so long. Makes 484 01:03:58,539 --> 01:04:00,719 my heart feel. From dear to Dear 485 01:04:09,420 --> 01:04:37,280 makes my heart we just never seem to see I took just never 486 01:04:37,280 --> 01:04:43,720 seem To see I don't think that any others you go from head to 487 01:04:43,720 --> 01:04:51,580 toe when you wear that smile. You're just so beautiful. When 488 01:04:51,580 --> 01:04:53,560 you give me that smile, you go from here to here when 489 01:04:59,740 --> 01:05:49,300 Adam Curry: you. It's You there is no lack of diversity. And I'm 490 01:05:49,300 --> 01:05:53,140 not talking about dei no true diversity in the value verse, 491 01:05:53,140 --> 01:05:56,020 cavina, that smile you're wearing before that, Emily, 492 01:05:56,020 --> 01:05:59,680 deranged and before that, Abby Muir, which, by the way, playing 493 01:05:59,680 --> 01:06:02,580 three female artist in row would be completely illegal on 494 01:06:02,580 --> 01:06:06,600 mainstream or FM radio, op radio. Oh, no, can't have any of 495 01:06:06,600 --> 01:06:10,200 that. No, we gotta do that. Oh, that'd be so bad. Wrapping it up 496 01:06:10,200 --> 01:06:14,460 today, I want to thank Jim Costello for producing bustagram 497 01:06:14,460 --> 01:06:17,460 ball. Of course, I had a hand in it as well, just a little bit, 498 01:06:17,460 --> 01:06:19,920 but he definitely helped out with all of the music, getting 499 01:06:19,920 --> 01:06:22,640 all the tracks, all the info I needed. Check them out at 500 01:06:22,820 --> 01:06:26,540 phantom power music.io, if you're an artist who wants to 501 01:06:26,540 --> 01:06:29,660 learn more, wants someone to help you out phantompower 502 01:06:29,660 --> 01:06:34,760 music.io, for everything else, go to podcastapps.com Learn how 503 01:06:34,760 --> 01:06:37,940 to be a supporter of the value verse, support of all of these 504 01:06:37,940 --> 01:06:41,800 artists as we create a brand new music industry. And if you're an 505 01:06:41,800 --> 01:06:43,960 artist who just wants to get started and go to 506 01:06:43,960 --> 01:06:48,940 wavelength.com, rssblue.com, or podhome.fm, and of course, your 507 01:06:50,020 --> 01:06:54,100 your podcast hosting company may already have some of these 508 01:06:54,100 --> 01:06:55,900 capabilities. Again, you can find that all@podcastapps.com 509 01:06:57,880 --> 01:07:00,480 this is the boosted Graham ball. We'll be back in about two 510 01:07:00,480 --> 01:07:03,660 weeks, we'll do episode number 25 that should be some kind of 511 01:07:03,660 --> 01:07:06,600 a, some kind of a celebration. Shouldn't Shouldn't that be, 512 01:07:06,600 --> 01:07:11,580 like, a big thing 25 what is 25 is that, like, what is that? 513 01:07:11,580 --> 01:07:12,180 Silver? 514 01:07:12,659 --> 01:07:13,439 Unknown: Is it silver? 515 01:07:13,740 --> 01:07:17,160 Adam Curry: Is it Ruby? Is it plastic? I can't know. Yes. 516 01:07:17,160 --> 01:07:19,800 Thank you, saldor for boosting in saying they were gonna have 517 01:07:19,800 --> 01:07:22,220 enough female singers in a row. That's right, that's how it 518 01:07:22,220 --> 01:07:25,820 should work. I'm Adam curry. I've been here in the value 519 01:07:25,820 --> 01:07:30,320 verse with you. I would like to see you back here in two weeks 520 01:07:30,320 --> 01:07:32,960 for another episode of booster grand ball. We leave you with 521 01:07:33,020 --> 01:07:36,200 Tony Solomon. It's unleash on the ball. We'll see you then. 522 01:07:36,200 --> 01:07:37,040 Bye, bye. I 523 01:07:38,539 --> 01:07:40,839 Unknown: guess this is goodbye 524 01:07:43,239 --> 01:07:50,499 we know it's been a long time coming, but now we gotta fight. 525 01:07:53,380 --> 01:07:59,500 Yes, we've been keeping our demons hit us. There's fire in 526 01:07:59,560 --> 01:08:06,720 your words. Hurt. And I know it's gotta hurt. Burns in your 527 01:08:06,720 --> 01:08:12,000 mouth, and if you want to, you can let it out. 528 01:08:13,199 --> 01:08:14,699 Something's changing. 529 01:08:21,139 --> 01:08:37,339 Earth got a hold on me. 530 01:08:49,000 --> 01:08:57,340 Are we victims to our fate? Am I guilty or just the first to walk 531 01:08:57,340 --> 01:09:02,880 away? But now you're talking down to me, and It makes me kind 532 01:09:02,880 --> 01:09:04,920 of glad I didn't say 533 01:09:20,300 --> 01:09:20,720 unless you 534 01:09:26,480 --> 01:09:27,860 gotta hold on. 535 01:09:40,000 --> 01:09:40,540 And. 536 01:10:27,140 --> 01:10:28,640 God, hold on Me. 537 01:11:12,600 --> 01:11:13,440 Adam Curry: Boosting his love.